It’s no secret that I find any creative project starts out best when I put good old fashioned pen to paper. The majority of my first drafts are then created in Scrivener, but I’ve never found that plotting and discovering characters really comes alive if they’re not discovered on paper first.

Most people have creative slumps. I know authors, actual real life get paid to write books for a living people, who have found themselves with writer’s block. There are so many ways of getting out of it, but one of the things that works best for me is to find a really engaging tool that makes me want to write something – anything – down. That can be pen, paper or ink. As long as it’s decidedly analogue, I’ll give in to the temptation to try it.

So without further ado, my latest inspirational find: J Herbin Emerald of Chivor:

This ink has taken the pen world by storm and from the moment I saw the samples coming out, I could see why. That sheen! That colour! The hints of red were more intriguing than the flecks of gold. All better than I can capture on an iPhone, but I refuse to buy a better camera for the sake of doing blogposts. Anywho, I needed to go back to an old project and work out some knots that were bogging the whole thing down. So, with a trusty NockCo DotDash black pocket book (I’ll definitely be telling you more about those at some point in the future) and a TWSBI Eco 1.1 Stub (again, a pen worth knowing about), I started to tease apart the strands of my story to work out where it was going so spectacularly wrong:

This is where having such a fascinating tool to play with comes into play. I was so distracted by wanting to put words down, to try and create the different flow using the stub nib, that I worked out what was annoying me the most without even thinking about it. I was too busy thinking about how there were differences when you shook the pen up a little first, how the red wasn’t as strong in my sample as I’d seen in some others and not about the fact that it was a point of view issue I was having.

So, for me, it’s a big thumbs up for Emerald of Chivor. I want to use this so much, I’ve already decided that tomorrow it will be part of my morning pages routine. I think that J Herbin have got this one right (being the fourth in the series of inks using this gold flecking), and so far I haven’t had any issues with it clogging my pens. That being said, I think it definitely needs to be used with at least a broad nib if you want to get full enjoyment out of it.

Feel like kicking your creativity old school? Then this might not be the cheapest place to start, but it gets a huge thumbs up from me.